1. Attend conferences. Conferences offer a variety of workshops and information on various parts of the industry from writing the craft to marketing your work. Conferences give participants a chance to meet agents and editors and network with other writers from novice to veterans. Here are several ways to get the most out of a conference:
For most paperback writers the decision to author a book comes slowly but it can hit us just as abruptly. When it hits us fast, like when we wake up one day and decide to try our hand at being an author, the next fear that overtakes us is how are we going to get all the details needed to craft an excellent story?
Many times, new authors receive feedback that surprises them. Of course their heroine isn’t too stupid to live, what makes this reader think that? And in no way did they imply the hero was a wimp, where did they read that?
There’s a myth in the writing community that a beginning writer needs to write one million words – before he or she is qualified to start actually writing as a legitimate “writer”. I call it a myth because it’s true, you do, and as a fictionalist, realize that myth is much truer than fact.
Before You Send Out Your Manuscript, Be Sure These Are in Place
According to National Public Radio, 291,000 books were released in 2006. That’s up from 172,000 in 2005. Seems like everyone wants to write a book. But so many books get unread, unseen, unloved by the readers who could enjoy them. Most people who set out to write a book never do. Why?
From academicians to book critics to lay readers, each is often eager to recommend a list of authors who will provide aspiring writers with a sound foundation from which to build. Any suggestions should be revered, and it would be ridiculous for one person to state that her/his idea of quality prose is better than another’s.
There has been a quiet debate among writing teachers for a long time about whether writing is a craft or an art. That is not a simple question to answer because writing, as with most subjective endeavors, has aspects of both. In a way, the writing instructor, whether teaching in a storied MFA program or at a community creative writing seminar, is letting themselves off the hook if they come down too far on the “writing is an art” side of the debate.
Writing is a lot like sculpture. In both crafts you trim away the excess to reveal the art within.
This roller coaster bit is for the birds. You just have to check once a week or so. Daily will make you crazy.
Sing for the Twilight
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